Theorizing Bruce Lee: Film-Fantasy-Fighting-Philosophy (Contemporary Cinema) By Paul Bowman

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Theorizing Bruce Lee: Film-Fantasy-Fighting-Philosophy (Contemporary Cinema)
 By Paul Bowman

Theorizing Bruce Lee: Film-Fantasy-Fighting-Philosophy (Contemporary Cinema) By Paul Bowman


Theorizing Bruce Lee: Film-Fantasy-Fighting-Philosophy (Contemporary Cinema)
 By Paul Bowman


Download PDF Theorizing Bruce Lee: Film-Fantasy-Fighting-Philosophy (Contemporary Cinema) By Paul Bowman

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Theorizing Bruce Lee: Film-Fantasy-Fighting-Philosophy (Contemporary Cinema)
 By Paul Bowman

  • Sales Rank: #2486285 in Books
  • Published on: 2009-12-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .59" w x 5.98" l, .85 pounds
  • Binding: Paperback
  • 260 pages

Review
Bruce Lee is a complex and contradictory figure, and it s a formidable task to take on the multiple facets of his legacy fighter, film star, philosopher, nationalist, multiculturalist, innovator. With an approach as multidisciplinary and iconoclastic as Lee s approach to martial arts, Bowman provides an original and exhilarating account of Lee as cultural event . No one has done a better job of explaining why the martial arts legend remains such an important and provocative figure. Leon Hunt, "Brunel University," author of "Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger."
Taking on Martin Heidegger and Slavoj i ek as well as drawing on Jacques Derrida, Michel Foucault, Guy Debord, Jacques Ranciere, Rey Chow, and Stuart Hall, among others, Bowman shows how Bruce Lee speaks to the philosophical debates that frame our understanding of global popular culture today. Although Bowman may not be able to resolve the philosophical battles surrounding our ability to know Bruce Lee, he does a remarkable job of articulating why Bruce Lee remains an essential force within not only world cinema but global culture both high and low. Armoured with his philosophical nunchakus, Bowman goes to battle with anyone who may doubt Lee s ongoing importance, and this book will undoubtedly become essential reading for everyone (from philosopher to kung fu practitioner) interested in popular culture and Asian cinema. Gina Marchetti, "University of Hong Kong," author of "Romance and the Yellow Peril: Race, Sex and Discursive Strategies in Hollywood Fiction" and "From Tian anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997.""

About the Author
Paul Bowman is author of "Post-Marxism versus Cultural Studies" (2007) and "Deconstructing Popular Culture" (2008). He teaches cultural studies at Cardiff University.

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